'Transformers': Jive Talking and Gold Grills?

Skids and Mudflap of Transformers: Revenge of the Fallen

That clunking engine noise you're hearing may be the sound of 'Transformers: Revenge of the Fallen' rolling along on broken-down racial and ethnic stereotypes.

Movie critics and columnists from the Associated Press to the New York Times are raising concerns about two newly added Autobots, described as "jive talking," "minstrelsy," illiterate and action avoiding. And of these bickering twins, Skids (Tom Kenny) and Mudflap (Reno Wilson), one even reportedly sports a gold grill, I mean tooth. Oh, you get the picture.

The only robots with any discernible personality traits, aside from bravery or antagonism, are the Autobot twins, Mudflap and Skids. These are shockingly crass and unfortunate black stereotypes, jive-talking fools who can't read and bumble their way from one mishap to the next. They are Jar Jar Binks in car form.
Source: 'Transformers' Shape-Shifts Into Noise, Nonsense, AP

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Youse a wemeba Jah Jah Binks, riiight? Jar Jar Binks was that clumsy, slurring, Stepin Fetchit-like 'Star Wars' character that raised socially conscious hackles when he appeared in 'Episode I.'

Is 'Transformers: Revenge of the Fallen' continuing an unfortunate pattern? Of course, I'll wait and see the movie before I answer definitively, but I am mindful of racial portrayals in movies and all pop culture influencers.

Screenwriters Roberto Orci and Alex Kurtzman said they followed [Director Michael] Bay's lead in creating the twins. Still, the characters serve no real purpose in the story, and when the action gets serious, they disappear entirely, notes Tasha Robinson, associate entertainment editor at The Onion.

"They don't really have any positive effect on the film," she said. "They only exist to talk in bad ebonics, beat each other up and talk about how stupid each other is."

Hollywood has a track record of using negative stereotypes of black characters for comic relief, said Todd Boyd, a professor of popular culture at the University of Southern California's School of Cinematic Arts, who has not seen the 'Transformers' sequel.

"There's a history of people getting laughs at the expense of African Americans and African American culture," Boyd said. "These images are not completely divorced from history, even though it's a new movie and even though they're robots and not humans."
Source: 'Transformer' Jive Talking Robots Raise Race Issues, The Huffington Post

Michael Bay skids away from the controversy with "they're robots." Okay. Then what's up with the illiteracy and the gold grills?

Vintage Racist Advertising

Top left LOS ANGELES - DECEMBER 1: Brigitte Nielsen and Flavor Flav present onstage at the VH1 - Big in '04 on December 1, 2004 at the Shrine Auditorium, in Los Angeles, California. (Photo by Kevin Winter/Getty Images) Top right: 1899 -- Uncle Tom's Cabin: Topsy Illustration --- Image by © CORBIS; Bottom right: 1930s AC spark plugs ad in The Saturday Evening Post -- Photo by The Authentic History Center; Bottom left: This cartoon image provided by the New York Post appeared in the Post's Page Six Wednesday, Feb. 18, 2009. The cartoon, which refers to Travis the chimp, who was shot to death by police in Stamford, Conn. on Monday after it mauled a friend of its owner, drew criticism Wednesday on media Web sites and from civil rights activist the Rev. Al Sharpton. (AP Photo/New York Post) ** NO SALES ** Credit: Getty Images / Corbi / Authentic History Center / AP

Getty Images / Corbi / Authentic History Center / AP

Advertisement for an African-American slave sale.

Although the enslavement of mankind in general has been recorded as early as 1200 BC; the first African slaves were reportedly transported to the 'New World' in 1517. This is 76 years after the first black slaves were captured and taken to Portugal.

Bettmann / Corbis

African American Stereotypes: Products and Advertising c.1880s Tin of Nigger Hair Tobacco

For decades this product was sold in stores as chewing tobacco or for smoking. It was advertised as 'pure, unadulterated, fine old burley leaf.'

Photo Source: The Authentic History Center

The Authentic History Center

1888 -- Seal of North Carolina Tobacco - The Darktown Bowling Club Poster -- Image by © Swim Ink 2, LLC/CORBIS Seal of North Carolina Tobacco - The Darktown Bowling Club Poster

Swim Ink 2, LLC / Corbis

ca. 1890 -- Zoulou Powder Poster (French advertisement)

Because offensive advertising was permeated throughout the world for many years, (and still is, as you will see in a few upcoming slides) it should come as no surprise that in more modern times 'racism has become the scourge of European soccer stadiums.'

Swim Ink 2, LLC / Corbis

ca. 1899 --- Uncle Tom's Cabin: Topsy Illustration --- Image by © CORBIS Uncle Tom's Cabin by Harriet Beecher Stowe

Topsy was a stereotypical pickaninny character in the book, 'Uncle Tom's Cabin.' Uncle Tom was a slave in the book. The term 'Uncle Tom' is recognized to be offensive and a derogatory name for a black man who is abjectly servile and deferential to whites.

Corbis

ca. 1899 --- George Thatcher's Greatest Minstrels Poster --- Image by © CORBIS George Thatcher's Greatest Minstrels Poster

Early definition of minstrel: a medieval poet and musician who sang or recited while accompanying himself on a stringed instrument, either as a member of a noble household or as an itinerant troubadour.

The black-face minstrel act was a very popular form of entertainment in 19th-century America. White audiences were receptive to the portrayals of Blacks as singing, dancing, grinning fools. T.D. 'Daddy' Rice, the original Jim Crow, became rich and famous because of his skills as a minstrel. Interestingly though, when he died in New York on September 19, 1860, he was broke.

Corbis

African American Stereotypes: Products and Advertising 1899 Durkee's Salad Dressing advertisement, Harpers Magazine

Notice the broken English purportedly spoken by black Americans, 'We're gwine ter live high ter-night ...'

Photo Source: The Authentic History Centerr

The Authentic History Center

Advertisement for Clarence Brooks and Co.'s Fine Coach Varnishes uses racist stereotypes to depict a group of African-American adults and children as they cheer and watch two shirtless boxers, one of whom appears unconscious, accompanied by the text "the Championship Fight, Sullivan Wins," late 1800s. The Sullivan in the text is a reference to boxer John L. Sullivan, who fought bare-knuckled in several famous bouts.

Transcendental Graphics, Getty Images

Advertisement for the St. Louis Beef Canning Company features an illustration of a stereotyped African-American character sitting on a can of beef, accompanied by phonetically rendered, stereotypical dialect-style text that reads: 'No Sah! dont jine no Exodus so as dis Beef lasts,' late 1800s.

Showing blacks to massacre the English language, further perpetuated the false idea that African Americans were somehow unable to be educated.

Transcendental Graphics, Getty Images