I have a quandary that perhaps you enlightened readers can help me with. I call it "The Coonery Paradox."
Much like the String Theory or the elusive Theory of Everything, it is a puzzle that baffles the mind.
A paradox is defined as "a statement or proposition that seems self-contradictory or absurd but in reality expresses a possible truth." What I am about to describe is exactly that, two sides of reality that seem completely contradictory but at the same time is our current truth.
It boils down to a simple question: Why is it ok to BE a coon or portray a coon in mainstream media, but if you call people out for being coons in mainstream media, you are vilified?
[Warning: This is a VERY black issue and I know we have a diverse readership, so others, just follow along as best you can.]
Why does the black community turn a blind eye and meet with absolute silence some of the most coonish portrayals of black folks in the media, but when those same people or stereotypes are challenged for the coonery they are, the community gets into an absolute uproar and the challenger becomes the villain? The Coonery Paradox.
I look at shows like 'Chocolate News,' 'The Boondocks' and the' Dave Chapelle Show,' both of which got heat from the black community about their portrayals of black folks and black culture. These comedians cleverly satired some of the less flattering aspects of the culture. They parodied people and situations we all know and exposed them in all their ridiculousness in a humorous way. But the message was clear: come on y'all. They held the mirror up, added some humor, and went over the top, often in an effort to challenge the very stereotypes we supposedly hate so much. However, both shows seem to rub many black folks the wrong way. I read articles that even celebrated the fact that 'Chocolate News' was canceled. ...
I look at my show 'We Got To Do Better' which aimed to do the same by calling out coonish behavior for what is was, a hot, embarrassing-to-us-all ghetto mess. It offered no-apology commentary about the images of ourselves we were promulgating all over the world.
It even had the nerve to have statistics and positive profiles as part of the show. And as you may or may not know, the show sparked a NATIONAL PROTEST! Rufkm?
The NAACP was having "watch parties," there were online petitions, panel discussions, t-shirts and God knows what else. Gina McCauley, a completely misguided idiot who runs some pro black woman bullsh-t. blog, made protesting the show her personal cause de célèbre.
The logo above was the original logo for the show, but was yanked because of the "racial controversy." What better symbol of ANTI-Cooning is there? We wanted make our purpose abundantly clear. Alas.
My point, and I do have one, is that I am noticing something very disturbing about black community "activism" (or fake-a-- activism as I like to call it).
Where the hell are these pro-black self-proclaimed protectors of the black image when 'Flava of Love' was on? When Ray-J was on? I can't think of two shows that denigrated black women like these did.
This summer sees the launch of two new reality shows featuring Keyshia Cole's ex-crackhead mom and her alkie sister, both of whom's claim to fame are their over-the-top ghetto-, alcohol- and crack-brain-fueled behavior. (Crack brain is what people who have been on crack a long time have, even if they're no longer using, they just ain't right no more). The show is called Frankie & Neffie. It's a reality show showcasing a crackie and an alkie, both with several children by several people!!!
Where are the protests now? Where is the alarm? What about all the daughters that will watch these shows and think they are accurate representations of black women? Where's the boycott of the sponsors? Hello???? Anyone? Anyone? Bueller?
Crickets from the protesting class.
Oh wait, there's also a show featuring a jailed rapper's girlfriend and another rapper's baby mama who had their child at 15, both of whom sound like they just learned to read last week. So now we have a show that many young women will watch and then aspire to be illiterate rapper teen baby mamas.
Where is the outrage now? Gina McCauley? Other random idiots??? Hellooooooo???? Where are your letter writing campaigns now? Are y'all going after the sponsors of those shows too?
BTW, the show is called "Tiny and Toya" and debuted this week with the highest ratings in the history of its network.
Seen Maury "You are Not the Father" Povich lately? What makes women look any worse than that? (though that sh-t is funny) 'I Love New York'? Proteeeeestors....come out and plaaaaayyyyy.....
Vintage Racist Advertising
Top left LOS ANGELES - DECEMBER 1: Brigitte Nielsen and Flavor Flav present onstage at the VH1 - Big in '04 on December 1, 2004 at the Shrine Auditorium, in Los Angeles, California. (Photo by Kevin Winter/Getty Images) Top right: 1899 -- Uncle Tom's Cabin: Topsy Illustration --- Image by © CORBIS; Bottom right: 1930s AC spark plugs ad in The Saturday Evening Post -- Photo by The Authentic History Center; Bottom left: This cartoon image provided by the New York Post appeared in the Post's Page Six Wednesday, Feb. 18, 2009. The cartoon, which refers to Travis the chimp, who was shot to death by police in Stamford, Conn. on Monday after it mauled a friend of its owner, drew criticism Wednesday on media Web sites and from civil rights activist the Rev. Al Sharpton. (AP Photo/New York Post) ** NO SALES ** Credit: Getty Images / Corbi / Authentic History Center / AP
Getty Images / Corbi / Authentic History Center / AP
Advertisement for an African-American slave sale.
Although the enslavement of mankind in general has been recorded as early as 1200 BC; the first African slaves were reportedly transported to the 'New World' in 1517. This is 76 years after the first black slaves were captured and taken to Portugal.
Bettmann / Corbis
African American Stereotypes: Products and Advertising c.1880s Tin of Nigger Hair Tobacco
For decades this product was sold in stores as chewing tobacco or for smoking. It was advertised as 'pure, unadulterated, fine old burley leaf.'
Photo Source: The Authentic History Center
The Authentic History Center
1888 -- Seal of North Carolina Tobacco - The Darktown Bowling Club Poster -- Image by © Swim Ink 2, LLC/CORBIS Seal of North Carolina Tobacco - The Darktown Bowling Club Poster
Swim Ink 2, LLC / Corbis
ca. 1890 -- Zoulou Powder Poster (French advertisement)
Because offensive advertising was permeated throughout the world for many years, (and still is, as you will see in a few upcoming slides) it should come as no surprise that in more modern times 'racism has become the scourge of European soccer stadiums.'
Swim Ink 2, LLC / Corbis
ca. 1899 --- Uncle Tom's Cabin: Topsy Illustration --- Image by © CORBIS Uncle Tom's Cabin by Harriet Beecher Stowe
Topsy was a stereotypical pickaninny character in the book, 'Uncle Tom's Cabin.' Uncle Tom was a slave in the book. The term 'Uncle Tom' is recognized to be offensive and a derogatory name for a black man who is abjectly servile and deferential to whites.
Corbis
ca. 1899 --- George Thatcher's Greatest Minstrels Poster --- Image by © CORBIS George Thatcher's Greatest Minstrels Poster
Early definition of minstrel: a medieval poet and musician who sang or recited while accompanying himself on a stringed instrument, either as a member of a noble household or as an itinerant troubadour.
The black-face minstrel act was a very popular form of entertainment in 19th-century America. White audiences were receptive to the portrayals of Blacks as singing, dancing, grinning fools. T.D. 'Daddy' Rice, the original Jim Crow, became rich and famous because of his skills as a minstrel. Interestingly though, when he died in New York on September 19, 1860, he was broke.
Corbis
African American Stereotypes: Products and Advertising 1899 Durkee's Salad Dressing advertisement, Harpers Magazine
Notice the broken English purportedly spoken by black Americans, 'We're gwine ter live high ter-night ...'
Photo Source: The Authentic History Centerr
The Authentic History Center
Advertisement for Clarence Brooks and Co.'s Fine Coach Varnishes uses racist stereotypes to depict a group of African-American adults and children as they cheer and watch two shirtless boxers, one of whom appears unconscious, accompanied by the text "the Championship Fight, Sullivan Wins," late 1800s. The Sullivan in the text is a reference to boxer John L. Sullivan, who fought bare-knuckled in several famous bouts.
Transcendental Graphics, Getty Images
Advertisement for the St. Louis Beef Canning Company features an illustration of a stereotyped African-American character sitting on a can of beef, accompanied by phonetically rendered, stereotypical dialect-style text that reads: 'No Sah! dont jine no Exodus so as dis Beef lasts,' late 1800s.
Showing blacks to massacre the English language, further perpetuated the false idea that African Americans were somehow unable to be educated.
Transcendental Graphics, Getty Images
Why are critiques of negativity condemned while we welcome actual negativity with open arms and high ratings and top record sales? The Coonery Paradox.
Bomani Armah's animated music video "Read a Book" aired last year was a brilliant parody of the stereotypical rap video and parents and viewers and protesters went NUTS. So wait, you are mad at the parody, but you let the real thing air all day everyday without a peep? I don't want that nasty parody on my television for my kids to see, show the Rick Ross video instead. The Coonery Paradox.
We rarely publicly castigate those who are in the media making us all look bad, but God help you if you ever point out the fact that they're making us look bad. Then you are automatically a self-hating, Uncle Tom, elitist, wannabe-white sell-out who is exploiting their people. The Coonery Paradox.
I am, by no means, saying that critiques of culture shouldn't be subject to the same artistic and intellectual criticism as everything else. Lets face it, 'We Got To Do Better' was no 'Frontline.' There should be a vigorous debate about all art all the time. So why do some things consistently get a pass? I just cannot wrap my mind around the lack of public galvanization and critique of the things that are REALLY destroying the minds of our youth.
Of course, I'm close to this issue. Maybe its just me. Maybe I'm trippin'. Maybe I'm completely off base here. Maybe I've just had too much wine.
'We Got To Do Better,' despite the highest ratings of the summer, was taken off because of the "controversy" surrounding it. Yeah, we wouldn't want to have any show that actually tells people to get their shit together. But it's cool, we have "Frankie and Neffie" now. The Coonery Paradox.
This isn't about individual artists, specific channels or record labels. I don't want to get hung up on specifics. I used show examples just to make my point. I just don't understand the odd response we have to representations of ourselves in mainstream media. We get mad if white people call us coons, we get mad if black folks call us coons, but straight up coonery? Bring it on. The Coonery Paradox.
You figure it out.
Peace people.
_____
Jam Donaldson is the creator of the now defunct BET show, 'People We Got To Do Better,' and the seminal blog, Conversate is Not a Word and Hot Ghetto Mess.


Comments: (19)
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By: sharkchops on 7/13/2009 11:43AM
We've always had a double standard when it comes to addressing racial stereotypes in the media. Black folks want to pick and choose which stereotypes are ok to laugh at and which ones are detrimental and unfortunately, our sense of guardianship and damage control get confused.
Spike Lee's Bamboozled is the best example. An uncomfortable but important movie. There's a scene where one of the Mau Maus, who was the militant group portrayed in the movie, starts laughing as they're watching an offensive performance on tv. In two other scenes, the two of the lead characters sit in the studio audience laughing at some of the material though they're totally against the themes and material used in the show and they hope the show fails. Those characters represent those of us who find our own racial stereotypes funny even when we're trying to fight against it.
The fact is, much of it can be truly funny however, we're still not at a place to put that part of ourselves on display for the world to see. And we may never be because those images are a large part of our pain as a people. This is what the world thinks of us. They think we're just clowns whose job is to make everyone laugh. We're seen as entertainment and too many of us don't mind giving up embarrassing performances like those Maury and Jerry Springer shows and court tv shows. And even more of us love watching it and that's why those types of shows are on tv everyday. Because we are their biggest patrons. Never mind that it makes us look like caricatures of the very stereotypes we hate.
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By: Monique on 7/14/2009 5:31PM
Please do not use the word coon, it's AWFUL!!!!
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By: Sho Nuff on 7/18/2009 8:36AM
The real paradox is contained in Jam Donaldson's use of the racial epithet "coon". Why does he feel it's necessary to propagate the legacy of sterotypical pejorative euphamisms by even uttering or printing the word?
Who's the Master?....I am.
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By: Baby on 7/18/2009 9:07PM
Excellent post!!!!!!!!!!
I talk about this ALL THE TIME. I am sick of our people and their acceptance of anything that portrays us in a negative and degrading way. What the hell is wrong with some of you? You fall for the okie doke from the man,but you will stand for absolutely nothing when it comes to our people. SAD STATE OF AFFAIRS
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By: Steve on 7/18/2009 6:25PM
The problem is, sadly, most black people are just stupid. It's a fact. Too stupid to think on anything seriously. They love to embrace coonery as long as their not being told it's coonery. That's what was wrong with Chappelle's show and Boondocks. Nobody who is seriously screwed up wants a mirror shoved in their face, hence protesting the things that count and embracing the things that destroy. And there is no other group of people on the planet more screwed up than American black people. Believe that!
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By: Jazz on 7/18/2009 9:35PM
ok...first of all...BET is now owned by white people...question?....do they have our best interest at heart?......
as for where to draw the line...if it's real comedy or coonery....
YOU KNOW WHEN IT'S COONERY....HOW COULD YOU NOT KNOW????.....
i do admit...OUT OF CURIOSITY.....i watched Flavor of Love for a minute...and i watched New York whatever the show was called for a minute....
AND IT IS ABSOLUTE COONERY!!!!!!!!
i caught Keisha Cole's show for a minute as well...and OMG...it's a hot mess...
and i also watched Dave Chappelle's show (especially the one with Wayne Brady) which to me was not so bad...but maybe it was...because see....even Dave Chappelle knew something was not right....he began to feel the producers, directors, etc. were laughing at him and not with him.
and for some reason i cannot watch "House of Payne"...the ads just seem so coonerish to me.
I WILL NOT LET MY CURIOSITY GET THE BEST OF ME ANYMORE....I WILL NOT WATCH....AND IF EVERYBODY FOLLOWS SUIT...THEN THESE SHOWS WILL GET SHUT DOWN!!!!!
P.S....even some of the preachers have left BET...ex: TD Jakes amd David Evans.
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By: The Media Mogul on 7/22/2009 9:46PM
Great post! 2 words come to mind....WILLIE LYNCH!
2 words mysteriously missing...TYLER PERRY! Too big to touch?!
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By: n ap t ur a li ty on 7/23/2009 5:24PM
Toya is NOT a baby mama. She is an ex wife. She was married to Lil Wayne. You are stereotyping her into that "coon" behavior category that your post is about. But other than that, I pretty much agree with your points.
About the Boondocks, I agree that it is a satire, but the problem is that the topics presented through the show are not raising the discussions that McGruder intends. Too many young boys are just laughing at the jokes and not really finding the deeper message. I think that is where the problem lies with the show--it's not about what message is implied, but what people are getting from it. I dont think people are taking the right message from the program.
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By: Claude on 4/04/2010 1:23PM
This reminds me of the movie I'd like to make if I were rich. A pair of minstrels, a black factory worker from Connecticut and a white stable hand from north Georgia, are touring Europe in 1855. And it's not about race; it's about the music.
I was going to make them equal partners, but the black musician has more formal training and a more advanced guitar based picking style, so he's grown into the lead role.
The white musician still uses an earlier strumming style, so he ended up as the back up.
For music, mostly sentimental ballads like "Nelly Was a Lady" and "Long, Long Ago", with American folk classics like "Old Joe Clark" and "Arkansas Traveler".
That would be a fun movie. Try to get something like that made.
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