When Keeping it Real Goes Wrong: Child's Death in Detroit Raises Questions About Reality TV

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Aiyana Jones, Reality TV, First 48

We have all looked on with horror at the tragedy unfolding in Detroit: 7-year-old Aiyana Jones was shot and killed on Sunday by a Detroit police officer during a home raid. The police had information that the suspect in the murder of 17-year-old was inside. Police have said Aiyana was wounded inside the house when an officer was jostled by, or collided with, the girl's grandmother. An attorney for the family said the shot came from the porch.What many don't know is that the whole thing may have been caught on tape by popular reality show 'The First 48' on A&E, which follows Detroit detectives during the first two days of murder investigations. A spokesman for 'The First 48' would not say if the raid was recorded, but police confirmed that the crew was present and that they are reviewing footage from that night.

The popularity of shows like 'Cops,' 'First 48,' and 'Crime 360] and the highly rated 'Operation Repo' leads us to question the role reality television is increasingly playing in law enforcement. We watch these shows feeling vicarious excitement in the pursuit of the bad guys, but do we ultimately pay a price for our love affair with real-life cop-and-robbers shows? It depends on who you talk to.

For better or worse, critics have questioned whether police behave differently when cameras are watching. Experts and officers believe TV crews increase accountability. A number of big-city departments have used shows, such as Fox's 'Cops,' to attract recruits. "I don't see someone doing anything outlandish for the cameras, because it's more of a liability for us," Detroit officer Brandon Cole said.

Some say, though, that these types of shows contribute to a lack of respect for law enforcement and a devaluation of humanity.

Having a camera crew along on a police raid contributes to a culture that reduces everything to mere entertainment, said Hal Niedzviecki, author of 'The Peep Diaries: How We're Learning to Love Watching Ourselves and Our Neighbors.'

He said the show fits in to the "peep culture" described in his book. "Somebody's accidental death, somebody's drug problem, somebody wins the lottery -- it's all equally entertaining," he said.

But some big-city law enforcers disagree. "There's a public value in having media see what police do close-up, and it helps police be more accountable," said Ohio Attorney General Richard Cordray. He adds, "There are a lot of reasons to think this is a beneficial practice as long as it isn't abused." The police get no compensation in the deal with A&E.

Dallas Police Chief David Kunkle said, "'The First 48' helped recruiting and portrayed police in a positive light."

Capt. Amelia Huffman of the Minneapolis Police Department, which was featured on '48' in 2007, said the department hoped the show would humanize officers and showcase their dedication.

"It created a connection where people felt like they knew these investigators," she said. "I think most peoples' ideas of police work are formed by fictional serialized television shows, which are largely inaccurate."

Others say that it's not television shows that make police look good or bad. Our perception of police is largely informed by the crime rate.

Jack Levin, a criminologist at Northeastern University in Boston, said Detroit's recent violence could create a "vicious circle" for law enforcement.

"When the crime rate rises, even over a short period of time, the police are blamed, so they are also asked to become more aggressive, make more arrests, make more raids. That inspires people to shoot back. You get more police shot, and the police do more shooting."

But criminal defense attorney Marvin Barnett said the cameras probably played a role in how the raid in Detroit was conducted, especially with the use of a flash-bang grenade designed to stun people inside a building.

Barnett said he could not recall the use of such devices on houses with children inside, implying that the Detroit police were showing off for the cameras.

"We are making the police actors in a reality drama, and it might make them decide to showboat," said former Detroit Councilwoman Barbara-Rose Collins, "Everybody wants to be John Wayne."

This is a cultural phenomenon that will be worthy of debate for the ages. On one hand, we love it when we are able to catch the bad guy because the incident was caught on tape. On the other hand, when keeping it real goes wrong, the video and its role in the tragedy is an easy scape goat.

As with other dangerous careers like soldiers and firefighters, it's hard to pass judgment when you weren't there and your life wasn't on the line. Our appetite for realer and realer television seems insatiable ,so maybe it isn't the cops or the cameras or the crime -- maybe it's us.


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